National Art Exhibition, National Taiwan Museum of Fine Arts, Taichung, Taiwan, 2020
National Art Exhibition, National Taiwan Museum of Fine Arts, Taichung, Taiwan, 2020
National Art Exhibition, National Taiwan Museum of Fine Arts, Taichung, Taiwan, 2020
National Art Exhibition, National Taiwan Museum of Fine Arts, Taichung, Taiwan, 2020
National Art Exhibition, National Taiwan Museum of Fine Arts, Taichung, Taiwan, 2020
National Art Exhibition, National Taiwan Museum of Fine Arts, Taichung, Taiwan, 2020
National Art Exhibition, National Taiwan Museum of Fine Arts, Taichung, Taiwan, 2020
National Art Exhibition, National Taiwan Museum of Fine Arts, Taichung, Taiwan, 2020
Solo Exhibition, National Taiwan Museum of Fine Arts, Taichung, Taiwan, 2019
Solo Exhibition, National Taiwan Museum of Fine Arts, Taichung, Taiwan, 2019
Solo Exhibition, National Taiwan Museum of Fine Arts, Taichung, Taiwan, 2019
Solo Exhibition, National Taiwan Museum of Fine Arts, Taichung, Taiwan, 2019
PROYECTOR Festival de Videoarte, Madrid, Spain, 2019
PROYECTOR Festival de Videoarte, Madrid, Spain, 2019
PROYECTOR Festival de Videoarte, Madrid, Spain, 2019
PROYECTOR Festival de Videoarte, Madrid, Spain, 2019
PROYECTOR Festival de Videoarte, Madrid, Spain, 2019
PROYECTOR Festival de Videoarte, Madrid, Spain, 2019
Solo Exhibition, The Museum of Contemporary Art, Taipei, Taiwan, 2021
Solo Exhibition, The Museum of Contemporary Art, Taipei, Taiwan, 2021
Solo Exhibition, The Museum of Contemporary Art, Taipei, Taiwan, 2021
Solo Exhibition, The Museum of Contemporary Art, Taipei, Taiwan, 2021
darkness within darkness

Video installation 2019 / Film 2021

The work divided the digital video into the film ratio of 24-frame-per-second. Through replacing the method of exposing and projecting with the technique of printing and scanning, the work is composed of papers frame-by-frame in between movement and stillness, virtual and concrete, digital and physical. It is a continuous-still-image that derives from the persistence of vision, which can be seen as moving image. During the process of media transformation, the concept of “one body with two sides” is empty yet inexhaustible, hidden but always present. The work darkness within darkness visualizes the abstract natural law and mystic Oriental philosophy through primitive percipience, reliving the time of the image in the digital era where the physical materials are dissipating.